TwitterArtShow pieces ready to go!

Am finally getting caught up on my backlog of work, and am happy to report that I’ve got my two pieces for the first Twitter140 Art Show ready to ship down to Flagstaff for the first gallery show.

It’s a great concept. Get a bunch of talented artists together who’ve never met physically, and let them all create art based loosely around a common theme. In this case, it’s Twitter, the idea of connected-ness, networking, the collective subconscious. Sheree Rensel, a painter and educator from Tampa was the instigator and driving force behind the Twitter140. She tirelessly recruited some brave artists, wrote proposals and sent them to a dozen galleries across the country and managed to connect with one right off the bat.

Grandon Gallery, in Flagstaff AZ, is hosting the month-long event, starting September 4th. All media will be represented, with the only stipulations being that each piece could not be bigger than 140 total square inches, and that the artist provide a 140 character bio, and a 140 character artist statement. Somewhat challenging, yet open-ended!

Gallery Wraps — extending the image

In my earlier post on gallery wrapping canvas prints, I describe how to stretch the print on the stretcher bars. But how do you get maximum image impact out of an image that doesn’t really have enough image to wrap around the edges of the frame?

There are two ways to handle this. The first is to use non-critical parts of the image and just wrap the entire image around the stretcher. If you’ve planned for a wrap during shooting, this will work fine. Remember, the thickness of the stretchers doesn’t change, so the smaller the print, the more image you will lose to the sides of the wrap. If you only print one size wrap, this isn’t usually an issue. The red line shows how much of the example image will be lost to the edges in a typical 20×30″ wrap.

Wrapping an existing image

But if you don’t have enough spare image to wrap, what do you do? Two options here. Both entail increasing your image background size by 2x the width of your stretcher frames, plus a little to allow for stapling in the back. For a 20″ x 30′ wrap, this means an overall image of 24 x 34 — 1.5″ of border on each side and about .5″ to staple in back for each edge. This is the max size you can make with a 24″ printer.

The simplest way to add image is to float your image over a color background — black is used quite often. In this image, I experimented with a green to match the hayfield. In practice though, it’s tough to get the border lined up with the stretcher exactly, and sometimes the image wraps a little over the edge, and sometimes it gets crooked, and generally it just leads to frustration.

Cloning the image to keep the integrity of the original

The other method is to add image to your existing image. Cloning the sides, top and bottom is the least noticeable way to do this, although stretching will sometimes work, or even painting new material. It will depend on what your image looks like. Architectural elements will be more obvious than organic ones — the more straight lines you have, the more obvious. Note the obvious clone lines — left in here for illustration purposes.

Here’s another example of how to accomplish the same goal. Paul also includes some actions that will automate the procedure.

How to frame a canvas print

Gallery Wrap

Gallery wraps and more…

First you need to decide if you are going to put it under glass, or mount it to canvas stretchers. The mounting style will determine your framing options.

Putting canvas under glass sorta negates the advantage of printing on canvas, although I have seen it done. You can then just cement the canvas to a substrate — use Glamour II as an archival glue on the back and glue it to a stiff board, like masonite, for example. Wrap the edges around to the back and trim the excess.

Wrapping the canvas around stretchers and then framing the assembly is how most people do it. You can use pre-made stretchers or make them yourself. If the image is small, you can use the lighter weight frames, such as the Fredrix or Dick Blick standard stretchers. For larger images, a “gallery wrap” is common, where the image goes all the way around the sides, and the excess canvas is tacked to the back of the stretcher frame. In either case, the stretchers are sized to the size of your image, and the excess canvas is used to attach the canvas to the stretcher frame. You can use upholstery tacks or a staple gun to attach the canvas. Start at the middle and put a staple on one side, then pull the canvas taut to the other side and attach another staple. Flip the canvas around to check that the image is aligned to the stretcher properly before driving in too many staples or tacks. Then pull an end taut, and put a staple into the middle, repeating the procedure at the other end. Check for alignment again. Then continue stretching and tacking until you get to the corners. Leave a couple of inches for trimming up the corners.

Gallery Wrap - Start the cornerFold the corner overHere’s where it gets tricky. If you are doing a gallery wrap, you’ll need to fold the corners around so that they are neat and clean. Trim the excess canvas so that you have enough to go around the corner and tack to the back of the frame. Fold the short side right up to the corner, and make a 45 degree angle fold with the excess under the edge. Tack it down temporarily. Take the long side which will have quite a bit of excess, and make an angle fold so that the folded edge lies exactly along the corner of the stretchers. The excess canvas needs to flow carefully under the edge without any ripples or bunching. Tack this down on the back, over the other edge’s fold. If necessary, make an extra fold at the BACK of the canvas to take up the extra fabric and tack it down again. This is harder to describe than it is to do, and with practice you won’t think twice about it.

Step 3 Gallery WrapIf you’re not doing a gallery wrap, you can tack the edges of the canvas directly to the edge of the canvas. Trim off the excess at the back of the frame. Corners are less finicky with this method, but you will have to use a framing method that covers the tacks or staples. Just fold the corners under and overlap one to the other, and tack down. You may need to trim first.

Once you have a stretcher, there are couple of ways to frame it without glass. Canvas “floater” frames surround the edges but don’t cover the top of the stretched canvas. Typically a floater attaches to the stretchers by drilling through the bottom of the frame and putting a few screws into the back of the stretchers. Regular canvas frames have a lip just like a normal picture frame, and are available in both wood and metal versions. Canvas frames will enclose the print in much the same way normal picture frames do.

You can also get a linen liner that extends the the frame size and puts a canvas wrapped “mini-frame” between the canvas image and the frame itself. These liners may come in various widths and typically have a slight slant inwards, to accentuate the image. Liners are usually either white or natural colored, just like canvas.

When you order the frame, be sure to accommodate for the extra little bit of width that the gallery wrap and/or staples will make to the size of the stretched assembly. It will be between and 1/8″ and 1/4″ longer, and not necessarily the same on both sides, so measure carefully. Some frameshops build this into their frames, so you might want to ask first.